Mixing techniques, through the reminders of these points, can greatly improve your level, especially for home music studios. Handling the sound: You can do the panning of every element in your song. But there is no need to drive yourself crazy in order to find the perfect position of the voice or to bring them to life. Except for the extreme left, extreme right and middle positions, the other positions have different results in different systems. So you can boldly process the elements in your songs. Precautions Windows Pocket Pc,Handheld Mobile Computer,Handheld Pcs,Microsoft Pocket Pc SUNLUX IOT Technology (Guangdong) INC. , https://www.sunluxbarcodereader.com
Below, I edited some of the more important mixing techniques that I personally valued. They helped me a lot during my years of learning to mix. I promise that through these reminders, I can greatly improve your level, especially for home music studios.
Step / method
Make the mix clear: You can use high-pass and low-pass filters to accurately define the frequency range of each instrument. The free BX_Cleansweep plugin should help you a lot.
Automated processing: Almost all digital audio workstations have powerful automation capabilities, and there is no reason to just adjust the volume to a similar position. If necessary, you can fine-tune the balance of all movements, phrases, and even syllables. Automated control of send and insert effects is also possible. 
Do the proper rest: Know how to relax your ears, which will help to reorganize your views and opinions. Mixing is a tough job, so after every few hours of work, you need to stop, relax, and adjust your body. Of course, being disturbed or distracted is not a reasonable rest.
Complete all the edits in advance: edit all the details on the drums, pick the vocals, fix the sounds, and match the drums with Bass. These things should be done before entering the mix. Otherwise it is difficult for you to maintain and develop your creative passion during the mixing phase.
Bold experiment. In addition to using presets, what else can you do? That's how to try to get the most out of things, such as adding distortion to some things and using guitar effects for human voices. Try all the tools boldly and see which ones give you a new breakthrough. Try to enjoy the process in your own way. Because only avoiding the use of presets, you will find some unique sounds.
Although there are no certain principles for recording and mixing, once you develop your own mixing steps, it will at least tell you where the mixing should start. Below is my mixing step.
In the mix you spend a lot of time making various adjustments.
You may find a problem, although you have worked hard to play and tirelessly edit each clip, but you have never heard of your work from the perspective of listening to music. Now that the mixing work is over, it’s time to treat yourself. Open the final mix, don't go to the "Kenting the Cow" to analyze the composition of the music, just listen to music. Pretend that you are walking on the street and suddenly heard someone playing music. What do you think of music at this time?
Of course, you probably think that you can't do it exactly as mentioned above. But in fact, as long as you try to relax, you will still come to some conclusions. You might think it's awesome, or think it's a far cry from what you started when you started. Don't be too fussy if your feelings about a unique mix have changed in a few months or years. Your taste is changing, and your knowledge and experience in mixing is constantly enriched. But as long as you follow these steps little by little, you will be pleased with the work you have worked through so hard – you have got the pleasure you deserve from the fruits of your labor.
Appendix 1: About Automix
Some of the existing equipment has an automatic function, which makes the fine mixing operation very convenient. Of course, some mixing engineers ignore these advantages and resist the automatic mixing function. They think that these automatic operations will destroy their inspirational grasp of music. And, there is no legal provision that says that mixing engineers must use automatic mixing.
There is a mixer who has worked with me. He works very hard and adjusts the level, balance and reverberation tirelessly. At the end of the downmixing, he can adjust the fader accurately and in time with his eyes closed. s position. He used an eight-track device for mixing. He separated all his fingers so that he could control the faders of each track separately, and it was timely and accurate. The challenge of this kind of work is obvious, but it is undeniable that the songs made in this way are very lively and not dull.
But in fact, very few people can train themselves to master the high-hardness technology of this mix. Therefore, the proper use of automatic mixing becomes a good choice. Some of today's mixing devices can record the action of pushing a fader or turning a knob and then automatically controlling it during the mixing process. In addition, in some computer audio workstations, you can even draw precise envelopes for volume or panning changes. So for most operators, Automix is ​​still the tool that makes it the easiest way to implement your own mixing ideas.
In addition, using some small means will make the mix easier. For example, to highlight a sound, in addition to increasing the volume, changing the balance setting can also get very good results. While playing on a solo instrument, you can try to raise the high and mid bands. In addition, when fading out, sometimes you can apply more reverberation to the channel of a certain instrument, making the instrument fade faster than other instruments. No matter how you do it, you must ensure the vibrancy of the mix and its appeal to the audience, but it is not very easy to guarantee this. Even a momentary change can have a huge impact on the final playback. Don't use it for a particular effect, whether it's appropriate or not. Use the effect to add more variation to the sound and make the music more attractive. Keep the level "dancing" all the time, don't be afraid of trying.
Attachment 2: About the end fade out
An excellent fade can be said to be the key to the song. Let us assume that you are playing a long instrumental music as the end of the song. One option is to keep the volume of the sound for four bars, then fade it out with eight bars. Of course, a fading does not have to be continuous. You can make the fades have some fluctuations, such as pulling the faders down every two shots.
Linear fadeout is not the best option. The concave type fades out, especially for those very long sounds, which can cause the listener to always want to listen to it. The initial rapid decay tells the audience to listen carefully, and when their heart is caught by you, you will gradually fade to the end. There is another situation, that is, the convex type fades out, in contrast, its sound is a bit more subtle, and the feeling of music makes people feel overwhelmed, I don't know where you are going.
A returning fading means that when you fade some sounds, you suddenly push the sound up and then really fade it out. This little trick can be used one or two times in the music you make, and they do bring some changes to your work. Perhaps the best example of applying this method is that when a song fades out to zero level, it suddenly reappears at the maximum volume and then fades out completely.